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Welcome to the blog of the Frustrated Photog. I am not a professional, not even an expert, just an enthusiastic enthusiast. I will share my mistakes and tell you how NOT to do it. For anyone like me who has limited time and opportunities out and about, I'll share what I can to help you maximise time behind the lens and also my photography adventures. If you like an image in the blog that's not in the shop, send me a message! Best wishes The Frustrated Photog. Tip! Where does that road go? Curiosity: fatal for felines, a friend for photogs!Curiosity we know can be fatal for felines...but for photogs, or wannabe frustrated photogs, it can be a great source of new materials. Regularly I have visited the towns of Bandirma and Erdek in the west of Turkey, always, when travelling between the two I looked at a road branching off to the left and thought “where does that road go?” I knew the answer. Edincik. It was clear to see, up on the hill overlooking the village of Duzler and looking out towards Erdek along the coast of Kapı Dağ, (Door mountain), look at a map of Turkey and it’s the bit that sticks up into the Marmara Sea from the Anatolian side. I knew the answer, yes, but what was up there. Another small town, yes! Anything special? Who knows! Well now...I do! Edinick is an interesting small town on the hill top that looks towards Kapı Dağ. Surrounded by forests and olive trees it commands some great views of the landscape. The history is also very interesting. I was lucky enough to have the opportunity of visiting after a few coastal photography stops on the way. Although these coastal stops would have been better in the golden hour or some misty weather, a Big Stopper and a polarizer can slow down the sea water in pretty much any light. This one to 20 seconds at 4pm in the afternoon. There are almost never any decent waves to speak of on this coast, so misty rock scenes are very unlikely, moody glassy water is possible. I closed the aperture down to f/18, the EF-S 15-85mm is still pretty sharp at this small aperture and it allowed me to get the longer exposure necessary.
If time stood still f/18, 20secs, 50mm, ISO100 Edinick has a 9th century church, still well preserved, though the roof looks a bit more modern, and a tree that apparently Orhan Gazı’s son tied his horse to on the way to Rumeli, the area on the Turkish side of the European borders. Orhan Gazi was Osman Gazi’s son, Osman being the first Ottoman Emperor. So this event was around the middle of the 14th century. It also has a grand Paşa Yolu, the main street down which the rich town officials would stroll. I guess they also strolled up as well, though judging by how steep the hill is...strolling up doesn’t sound quite as elegant, especially in summer heat.
9th Century Church f/8, 1/60, 35mm, ISO250
Way of the Paşa f/11, 1/80, 70mm, ISO250 The town also has an area of well restored Ottoman houses. Similar to those in my recent post about Odunopazari in Eskişehir. The centre of Edincik itself is very clean, when compared to some other towns around the area. Also, the old ranshackled buildings add an air of history, rather than scruffyness as they so often sadly do.
An Ottoman Street f/16, 1/40, 24mm, ISO400 Sunsets from up on top of the hill must be spectacular. In summer the sun would set right over the islands that sit just off the Kapı Dağ headland. I’ve photograhed this sunset many times from sea level in Erdek but sometime I will return to catch it from Edincik. Sadly, the day of my visit, the sunset was snuffed out by thick low cloud. Though mid afternoon, from a glorious tea garden on the way up to the town, you get an idea of how special a sunset would look.
View from a Tea Garden f/11, 1/200, 21mm, ISO250 Up slightly above the town is a residential area, and some tall apartment buildings that command spectacular views. Just in front of which we could catch some wonderful colours and textures on the early evening water, turning bronze as the sun was being covered by cloud.
Watching f/8, 1/640, 85mm, ISO100 I diidn’t know what to expect on this day trip to Edincik, but it was a real treat. My only regret is that I didn’t take my new 70-300 lens with me for a test drive as it would have picked out those three trees in the shot above much clearer...and I wouldn’t have had to crop in so much on this image. Ah well. A Muppet Moment? No! Honestly, carrying that lens with the tripod and filters while getting in and out of the car of a family friend during a whistle stop tour would’ve been a bit unwieldy. I know though that I will visit Edincik again, with full kit and make sure I get that shot...an hopefully a full sunset shoot too. Has curiosity ever led you to some interesting locations? Honestly, even if curiosity leads you to nothing special, it’s another piece of knowledge about where to, or where not to, photograph in future...and that’s always useful information and never wasted. Share your comments and links about places you have found! I’ll reply asap. Best wishes The Frustrated Photog. Photographing a legendary landscape - Wayland's SmithyMuch of Great Britain is rife with local myth and legend. Something I love about the country is that every hill, rock, copse, lane and trickle of a stream have a local name and with it a story! The Ridgeway is described as Britain oldest road and runs though such amazing historic areas as Avebury and the White Horse at Uffington. The landscape in this corner of the country, around south Oxfordshire and Wiltshire is rife with ancient sites. Stonehenge being the most famous, the Kennet long barrows, Silbury Hill...but Wayland’s Smithy was new to us and it prompted a family day out, being about 2-3 hours from home. The legend’s and myths of the long barrow are long, but very interesting. Wayland the giant smith that shoes the Uffington White horse when it comes down off the hillside..find the full story here. What it is? Well, it’s a neolithic long barrow. Honestly, on the way to visit this place I was hoping for mist or fog, something to bring up a haunting atmosphere. Typical this was one of those few summer days that was really a summer's day! Bright sun, blue sky...and hot! It did nothing for the atmosphere, but at least it meant for a nicer day out! We knew the car park for the White Horse, but what about getting closer to the Smithy? Well, Google Maps worked a treat and actually directed us along a dirt track that we would never contemplate taking...but it led us right to the grove of trees surrounding the barrow. Perfect. On the way though we stopped in the small village of Woolstone and had a wonderful coffee at the The White Horse pub, great coffee and a friendly atmosphere! It's a bed and breakfast too so, if ever I find myself walking the Ridgeway, I know a great place to stop! I have the feeling the English Breakfast would be epic! Anyway, after coffee, and of course loos, we headed up to the barrow. As I said the weather didn’t lend atmosphere to the neolithic burial site, but it did present a quintessential image of English summer landscapes.
Crop Waiting f/8, 1/80, 42mm, ISO125 How to describe the long barrow? Well it’s a long...erm barrow! Ok, sorry. Typical neolithic burial chamber. Large rocks at one end, sloping mound of earth. The great thing about Wayland’s Smithy are the magestic sentinel stones at the entry, and the copse of trees surrounding, protecting the long barrow. Even on a bright summer’s day, it has a peculiar atmosphere. The cold, silent stone, the chattering of the trees as their leaves speak on the wind, an occasional caw of a crow or twitter of other birds. No other sounds. The only sounds are natural around this chamber where humans were buried. Some metaphor there somewhere! The shots had to be bracketed to try and capture some detail in the shadowy barrow, and the bright sky above and the even brighter dappled sunlight on the stones.
Wayland's Smithy Long Barrow f/8, 1/40, 24mm, ISO250 (bracketed - HDR in Lightroom) The Ridgeway itself runs right behind the barrow with another gorgeous unspoilt small woodland, the sun finding it’s way to the floor through the canopy of green. Gorgeous!
Avenue of Trees f/4, 1/130, 15mm, ISO400 Definitely worth a visit, even just to get a sense of the myth and history, whether or not you choose to hike the Ridgeway or drive up close. It’s rural England, and it’s beautiful with the red kites soaring near by and view over Oxfordshire and beyond...sadly I couldn't capture a kite on this village, but the landscape is beautiful nonetheless.
Over the vales f/4.5, 1/1000, 35mm, ISO400 For the atmospheric shot, an early misty autumn morning should do the trick to really capture the spirit of the silent grave! Do you have any photos or stories of visits to ancient places? Share them here! I’ll reply and comment! Best wishes The Frustrated Photog. The Stevington Mill - Local gems and a photography tip!What is it? Well, to me, it is a traditional English windmill. As I was growing up and being taken to all sorts of places by my parents, it’s the kind of mill I got used to seeing. Stevington, like the mills of Buckinghamshire (have a read of my earlier post here), is close to my original home town in Bedfordshire, England. Also, just like those mills, it has a similar design; that is, it is built around a central post so that the mill can be turned to face the wind. A post mill, I think they call it. But unlike the mills at Pitsone and Brill, the Stevington Mill was not the intended photo location. I had been on a day out with family to the Odell-Harrold country park, near the village of Harrold, in Bedfordshire and we passed this gem of a mill on the way. We didn’t stop, the lunch time picnic was already due and we had planned a stop near the entrance to the village to photograph the picturesque bridge. This I did and I also shot the church on the hill away towards Chellington, but it was too far for the lens I had and the sky too flat to get any good compositions. With more time a hike to move nearer to the Chillington church would probably yield some good shots. The bridge over the River Great Ouse at Harrold also didn’t produce many good shots. The undergrowth was too high to get a good clear composition, and the barbed fence too sharp to climb, (also I would never break laws by climbing fences anyway - least of all barbed ones!). Perhaps the best shots of the bridge were actually the long raised walkway leading up to the bridge. Interesting, but nothing more. I was more intrigued by the spine of cloud away in the opposite direction...that stubbornly refused to move to a point where sky, foreground and background would come together. These were all taken handheld, looking for any composition that would warrant a full set up. No. Nothing special and nothing coming together. Never mind. Lunch!
Towards Harrold from the walkway f/8, 1/200, 35mm, ISO100
A Spine of Cloud f/8, 1/250, 15mm, ISO100 The country park itself, nice, a pleasant area, ok facilities, but in the strong light of midday in summer it meant that no great shots were possible. Even the wildlife was too shy, far off in the middle of the lake. That windmill, where was it? Stevington! Appropriately enough, in Windmill Lane, is, according to the internet (!) the last working mill in Bedfordshire. No doubt it is the last, but that it is working is impressive. An 18th century building of England’s rural heritage, sits beautiful and proud on the ridge of a hill just outside the village. It can be accessed, but for me I was content with these shots from the roadside through the hedgerow as it gave some nice rural context to the building.
Over the Hedgerow f/11, 1/125, 70mm, ISO100 There's something traditionally English about such a scene, though as I mentioned in the post about the mills in Buckinghamshire, English mills are not as globally famous as those of La Mancha or in Holland, but nonetheless, they’re a wonderful reminder of an earlier time. I used Lightroom to slightly tint the image. The main reason for this wasn’t to depict the structure as of bygone times, but due to the flat bright light that now dominated the sky and robbed the scene of any interesting colour or shadow.
Stevington Mill f/11, 1/80, 63mm, ISO125 As frustrated photographers, it’s always a good idea to make a note of interesting locations that you pass. You never know when you may get the opportunity to photograph them. Not always on the same day, as with this visit to Harrold, it could be months later when you are close by. A simple tip: A tool or the trade. A notebook! You could write them in your phones memopad, (most of us now have such an ‘app’), but I keep the old fashioned version with me. Perhaps, like the windmill, it's a relic of an earlier time, a notepad inspires more note-taking than cold pixels in a phone ever could. Though I shouldn’t berate modernity too much...afterall...this DSLR...ahem, change the subject! Have you had any plans changed and ended up finding a gem of a scene to photograph? Share links here, I’ll be sure to reply and comment! Best wishes The Frustrated Photog. Photographing hidden historyLittle known grandeur that must be seen (and photographed) - Aizanoi is a very large piece of history...why is it hidden, or at least, hardly known of? Troy and Epheseus...you’ve probably heard of these historical sites in Turkey. But the truth is, the country is FULL of them, perhaps fortunately many are not well known. Locally, perhaps, the hotels near by will advertise tours to places such as Tlos or Aspendos, or the ruins near the beaches at Patara or Phaselis. The list of possible places is very long... One such little known gem is that of Aizanoi, near the modern city of Kutahya. Aizanoi is, well, not to be rude, in the middle of nowhere! It’s in what was ancient Phrygian. One thing that still astounds me about my adopted home (Turkey), is that so many places are those spoken off in those ancient books by Homer, Hesiod and alike. Amazing! Even my new home city is close to the site of Dorelyeum, (a site of a major battle of the first crusade back in the 11th century), now, sadly, it's little more than a mound of earth and the site of never ending (never happening) excavation. Anyway, back to the subject. Aizanoi, and the best thing was, we pretty much had the place to ourselves, except for the local villages (and sheep...and street dogs and cats). It was first a settlement in the 3rd millenium BC, conquered by the Romans in 133BC and features many of the expected buildings of an ancient civilisation. It was a Roman city, with ampitheatre and baths. With, what one site describes as, one of the best preserved Roman temples in Turkey and possibly the world.
Temple of Zeus f/11, 1/30, 40mm, ISO100 The city also had the world’s first stock exchange, the remains of which can still be seen by the picturesque remains of a colonnade. A Roman bridge still stands over the river Penkalas that runs through the current, small village of Aizanoi.
The Colonnade f/10, 1/100, 40mm, ISO100
Penkalas Bridge f/10, 1/80, 15mm, ISO100 Sadly, the village itself is a little scruffy. It hasn’t embraced the gem right in its heart and, typical of the region, old cottages are left to decrepitude, and rubbish unfortunately litters the river and the ancient sites. Not hideously, not full of bad smells, but nevertheless, it could be better looked after. The temple itself has paid entry, a few lira so that, at least, is litter free, and near the entrance stand very clean toilets (no photo, sorry but maybe useful info). Perhaps though the most outstanding feature of Aizanoi is that even people living in cities fairly local have never heard of it! Yes, as I said, it is in the middle of nowhere, see the shot below taken from the area of the baths to the temple and the mountains beyond. It's some 40 minutes by local bus from the nearest city, but just 5 minutes walk from the small town of Çavdarhisar. Culturally, it’s a gem that is waiting to shine. In the meantime the benefit of this is that it can be explored without the hordes of tourists that can detract from the enjoyment of other, more famous, historic sites.
Temple and the Mountains f/10, 1/160, 70mm, ISO100 Found any gems? Or have you been lucky enough to have a famous landmark all to yourself? Share your stories! Best wishes The Frustrated Photog. Muppet Moment 11: Get that polarizer off!Summer trips to foreign climes. Full blue skies and colourful scenes. Circular polarizer fully in place to make those blue skies pop! Hmmm. Muppet Moment coming up. I now use a Lee polarizer for landscape shots when I am set up with the tripod. All very good. Slow, process driven workflow, and time to think. Though yes, I do still fall foul of my many muppet moments. For travel photography, that is: walking about a new city with an all-purpose lens capturing momemto shots and, hopefully, some interesting useful compositions too, I use an all-purpose lens and a screw in polarizer. I've had the EF-S 15-85mm for about 6 years. It was my first upgrade to my first kit lens. Ok, it doesn’t have the reach of some all-purpose lenses, but, from pretty wide (24mm on a crop sensor such as the 70D), to 85mm (or 136mm on a crop), it is usually adequate for my city strolling needs. And, normally, when on a summer holiday, my Hoya circular polarizer is fitted for those deep blue summer skies. Italy was a fine example that showed the benefit of using a polarizer (correctly) to really pull out those colours, and even get the blues really deep to make interesting infrared conversions easy in Lightroom. See these two shots from the Ligurian coast:
Ligurian Blue f/8, 1/40, 10mm, ISO100
A Light In the Black, Santa margarita, f/5, 1/640, 50mm, ISO100 Both shots with the Hoya polarizer and the 15-85mm lens. I usual shoot travel shots like these in aperture priority mode, image stabiliser on, ISO on auto. But there have been problems with this approach. This lovely all purpose set up that makes snapping shots easy. A classical example of my muppetry was in Barcelona, at the Magic Fountain. The polarizer was on. The fountain in full effect after dark. What was the problem? Yep. It was dark! Ok the fountain was illuminated but my ISO had gone through the roof! MUPPET! All of my Magic Fountain shots were effectively ruined as the ISO was consistently around 6400. They're ok as momentos, but nothing that could be used or viewed at a decent size.
A noisy Magic Fountain - not edited...a bad, unusable picture! The camera I was using at the time was the 550D, a lovely beginner type DSLR, but, like the 70D I use now, the noise control at high ISO isn’t cutting edge. Don’t get me wrong, noise control was good enough most of the time, ISO800 was never too bad. But in the dark, with an extra 2-3 stops of light reduction afforded by the polarizer, which some muppet (i.e. me) had forgotten to take off, meant that the ISO needed to be higher! So the lesson here. Don’t be a muppet! Keep your eye on your settings and better still...when you don’t need a polarizer...take it off! Put it safely away. Watch your ISO, watch your speed! Have you ever done anything as daft as this? Share your mistakes and let us learn together! Best wishes The Frustrated Photog.
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